Hey guys. Do you actually have a tracker, Simon? For me, the tracker was “almost the most amazing thing ever.”
Key word being “almost.” It has always been a headache to get sync’d up with the computer - there’s something different about the way it uses BlueTooth versus headphones. On PCs where headphones always connect, I have to do a dance of turning BT on and off multiple times to get them to communicate.
This has been true with three different PCs and two different trackers! (I returned the first one.) Maybe it connects better on Mac. I also had problems with the tracker disconnecting between songs. So I’d close down Reaper to open my next song fresh and it would be unsync’d and I’d have to reconnect it all over again. Minutes per day added up to hours over time.
When it works, it really is amazing because it’s basically twice the frame rate of a webcam, and like you said – it works anywhere… That said, it loses its orientation and you have to reset it frequently or it drifts such that straight ahead is no longer straight ahead.
So – in the end, based on my experience, I would STRONGLY recommend a webcam over the tracker. In my experience the webcam ALWAYS works. I’ve never had it fail.
Also, they did an update to Nx last year, I think, and ever since then the webcam face tracking rarely needs to reset orientation. It seems to operate a little more intelligently now and when it detects that it’s no longer oriented, it re-orients itself. So I can use it now without having to re-align orientation. It’s amazing!
I’m a big fan of the Nx plugins. I could never finish a mix in them – but they work WONDERS in the initial composition and initial mix stage. I like to work in mono, initially, and mono is miserable in headphones… But mono encourages you to make sure sounds work on top of each other and works as a reminder to not make a song or mix too dense…
So I put a monofier plugin before Nx and then suddenly the mono-in-headphones is pleasing to listen to. It’s brilliant.
In the end I use it for initial composition, initial mix balances — and then I cycle through all the Nx plugins (and Abbey Road Studio) toward the end to check the mix for problems. Each room reveals something else.
Also, Germano Studios Nx has a cool NS10 emulation where the bass is rolled off a bit. I thought something was wrong with it at first but then I learned the unique frequency response of NS10s is why people like them, and Ocean Way has that! So cool.
PS. Another benefit of the webcam is it can detect forward/backward distance, which the tracker doesn’t detect. In the end — if someone can get their tracker to work consistently then that WOULD be ideal. But for anyone who is stuck with a webcam, don’t feel bad about it. I personally prefer it.